Monday, 17 February 2014

Goodbye, Old Friend...

The last twenty four hours have been peculiar, to say the least. Yesterday  began after a night of broken sleep, as happens after falling asleep with a child and then waking up with a start at 3am, to find myself still there, sweat-velcroed to a small but tenacious boy, all arms and legs akimbo, and all the lights in the house blazing.

We both woke up late, and from then on I had the sensation of paddling frantically but going nowhere, like one of those dreams where you're wading through treacle, or quicksand, or like Fred Flintstone's blur of cartoon feet while he and Barney Rubble attempt to drive a stone car which is rooted to the spot. With the added drawback of a sawdust-filled head. After what felt like an interminable amount of time spent running around getting ready, I managed to penetrate the force-field that seemingly surrounded my front door, and eventually dropped my son off at school (late).

During this time, I'd received an SMS via my neighbour, from a mutual friend who had some sad news to pass on. While driving home after realizing I'd left my ukulele behind, instead of heading straight for Tuart Place, I also received a phone call from an old friend with the same news and a little more detail. And so it came to pass that, instead of heading to the beach or the gym for some mermaiding, I spent some time in Fremantle Hospital yesterday after work, saying goodbye to someone whose life is ending all too soon.

Memory is a funny thing. Mine is notoriously unreliable and relies on friends, songs, photographs and smells for detail. I suppose I first met N around 1987, when I'd returned to Perth to study at UWA after living in Melbourne, working in Sydney and travelling around Australia in a Kombi for a couple of years. I can't exactly remember how, but my early memories are of sitting around the kitchen table in our big old share house in High St Fremantle, with my other good friend J (an actress and singer now living in Sydney, she who some years later became my first comedy duo singing buddy), singing Triffids songs. Those were the days of early music and singing explorations. A time in my life when I was floundering a bit, having done none of the grieving or healing I needed to do, but was also struggling to give myself permission to do creative things again, after a long hiatus.

Later, after he had separated from his long-term partner, and I was living in a little gingerbread house in Cottesloe with a colleague from the Reid library where I worked while a  student at UWA, N. and I were lovers, briefly and somewhat awkwardly, before reverting back to being 'just friends' again. I guess we  needed to get that particular thing out of our system, as you do when you're a twenty-something, with the rest of your life ahead, and are largely unfazed by consequences!

As I lay on a massage table today, desperate to iron out the bumps and corrugations acquired of late, it came back to me  how N was a regular client of mine, when I practiced various forms of bodywork mostly for friends and friends of friends. I worked from the living room of my flat, on the second floor of the famous, now long since bulldozed Myuna flats, with it's stunning vista over Rocky Bay and the river in North Fremantle. I recall how I'd set up my bed in what had originally been an open balcony, later transformed into an enclosed space by the windows that had been fitted. It was a divine place to sleep!

N, by co-incidence, later partnered up with someone I was at uni with and caught the bus with sometimes while living in the gingerbread house (she lived with her parents in Cottesloe). For the last several years, they have been living and working interstate and have a four year old daughter. Thanks heavens for Facebook. They invited me to stay with them some years ago, during a brief stopover in Brisbane, but it didn't work out and so I haven't seen them for what seems like ages. How terrible that their recent return to Perth, for the family support that is on offer here from both sides, has had such a difficult outcome. My heart goes out to little M.

At 1pm, I entered a darkened hospital ward after following B's directions, and sat with N for a spell. He was full of morphine, woozy with fleeting moments of lucidity. So I went in, let him know who I was, held his hand until it was uncomfortable for him, then let him drift in and out of sleep and awareness. I silently willed for his passage to be smooth and painless, and for his loved ones to find meaning and comfort in its aftermath.

It's funny the things that touch us and trigger memory. We were joined by several friends and family members, including N's mum who was delighted to be reminded that we used to go to her house to swim in the pool sometimes! Each brought something- photos to attach to a pin-up board that someone had assembled, vases of flowers.

The photos of N playing guitar are what made me weep and sigh. I cannot account for the years, nor can I have them back and I was engulfed by that strange sense of "if only I knew then what I know now, I would have made better use of my time". But life happens as it does, there are no time machines, and we have to stumble on, mistakes and all, with nothing but the memories and the present to sustain us.

The vases of wildflowers equally undid me. I recall the little house that N, who works in the field of environmental science, shared in downtown Fremantle: a tiny, white-painted, stone warders cottage near the old gaol and the police station, right behind the Fly-By-Night Musicians Club. There was always a vase of beautifully-arranged dried wildflowers: hakeas, banksias, wattle, and beautiful Margaret Preston prints adorned the walls with similar motif.

After I'd said my farewell and kissed N goodbye, possibly for the last time, I bumped into both my 'sad news messengers' on the pavement outside the hospital, on their return from lunch at a nearby cafe. I had a good old natter with both, especially B who had flown from Victoria at short notice, was returning that night, but who has invited me to catch up while in Melbourne in two weeks time. He may even bring his teenage daughter, apparently a keen player, to the ukulele festival.

We reminisced about clearing the pine plantations and noxious castor oil trees out at Piney Lakes, and rehabilitation of old mining waste lakes down in Australind, in the late 80s, while he was team leader for a conservation group, and I was a regular volunteer. I asked him if he was still a hoarder and he confessed that yes he still collects many useful objects! We laughed about all the bikes. I myself was the recipient of at least one such 'recycle'. Two other mates and I once borrowed a car from B to go walking down  in Walpole-Nornalup national Park. We hit a roo and put a large dent in the fender, which B very graciously repaired in the face of our practical incompetence.

One of the friends, C, a former competitive runner who jogged through the bush to find us some water, had a terrible accident shortly after this and has been a quadriplegic in a  wheelchair ever since. He gave me his classical guitar, which he could no longer play and which I had on loan, and which I still have. Such things we could not predict back then, such memories come flooding back when there is someone standing there in flesh and blood to remind me.

B and I, too, had a brief and passionate 'fling' back then, the outcome of an impulsive skinny-dipping detour to Leighton Beach one Summer's night, after we'd been on a date to see a movie at the Somerville. All water under the bridge, and all before he committed to the woman he is still with, the mother of his three now almost-adult children.

He, greyer and distinguishedly bearded but essentially the same, said "you haven't changed a bit", to which I jokingly replied that there was perhaps more of me than there used to be! We were both incredulous about how much time has passed since then. He said to me "I can't believe M (his oldest boy, aged twenty one, who has just completed three years of a degree at Melbourne uni) is older than we were when we first met each other and N!" I needed him to remind me when that was, in order for me to have these recollections, such a blur is my memory! I really look forward to more chats while in Melbourne, if at all possible.

I'm glad I had sung with gusto yesterday, just prior to the hospital visit. It fortified me. We had a particularly great session down at Tuart Place, including a spontaneous rendition of the Macarena, complete with choreography! But in my sleepless-night-tiredness, I struggled as I sang, conducted and played my uke, to remember exactly which songs N and I used to sing together. It was only later, talking to mutual friend and messenger S, who had brought her guitar to the hospital, that I remembered The Triffids, and the expeditions to pubs in the city to hear bands like The Black-eyed Susans. N was very much of that era in Australian music- indie-heading-towards-mainstream live acoustic. Ed Kuepper, David McCombe. Never much of a 'pub person' myself, and with acoustic folk and world music leanings, he and his friends were my introduction to some of those grungy places in the latter half of the eighties.

The afternoon offered very little time for reflection. I picked up my son, who wanted to know why  I was a bit subdued, and then made a trip to my local music shop to pick up some things, as well as a brief detour for provisions (Turkish bread, hummous and bargain watermelon). Followed immediately by a productive rehearsal with Uke-Ooh-lala!, my French band, at home, and good news about various aspects of our forthcoming Melbourne trip falling into place. A hurried, improvised meal of bread and dips and fruit, before falling into bed and repeating the wee hours shock wake up phenomenon.

What am I too make of it all? Sweet Old Friend N's days are numbered, for the morphine  alone will surely kill him; another Old Friend also has cancer and is reeling from the shock of invasive treatment for it, and yet another  Significant Other from the same 'twenty and thirty something' epochs of my life  ( also a lover but mostly a friend) died a few months ago from a sudden stroke, aged a little over fifty. Truth is, I hadn't  see much of any of them in recent times. We all move on. Becoming a parent late in life has the effect of drifting you from Old Friends whose children are older, or who have none, or who end up living in different cities and precludes seeing them in terms of actual day-to-day sharing. Yet there remains a fondness and familiarity, despite time and distance.

Something has shifted in me, ever so imperceptibly. The world has turned, just a little, on its axis. Some butterflies wings have flapped in a far flung corner of the earth as my Old Friend N's spirit prepares to fly free. Life is taking him away, and there is nothing for it but to let go and say So Long. Onto the next leg of the journey, wherever that takes place. There truly is nothing like 'premature' death to make me take stock of the passage of time and to test my sense of how I feel about things like ageing and seizing the moment. Garfield, meanwhile, helps the tears to flow...


"So Long Old Friend"


The Triffids "Wide Open Road"


Monday, 3 February 2014

A Mermaid's Tail

For some years now, I have identified with Mermaids and Selkies as an expression of  the archetypal feminine. Among my earliest childhood memories is that of playing Marine Boy with my slightly older brother, after watching my favourite sixties cartoon of the same name. I was always Marina the mermaid, my little legs ensconced in my pillowcase tail, which rendered me deftly aquatic, yet hopelessly clumsy on land (in which regard, nothing much has changed!). My earliest memories of swimming are of my Dad taking us to the Changi swimming pool while living in Singapore where, utterly unafraid of swimming underwater, despite being unable to float, I would wiggle my bottom determinedly, like a little fish. Dad would pull me up for an occasional quick breath, before I dove down and swam towards the bottom of the pool again.

 


My happiest memories are of time spent at the beach and the pool, once we were in Western Australia, a windswept, coastal landscape with all its salty tang and beach scrub aroma.

I whipped through swimming grades during many a carefree Summer of Vacation Swimming lessons, including advanced certificates in survival and lifesaving, due in part to my reasonably developed mermaid-esque ability to hold my breath under water for considerable periods of time.

Apart from the promise of sweets (10c would buy you 8 or so lollies in a small white paper bag, in those days!), I loved the post-swimming lesson frolics with friends; the synchronized swimming team moves we emulated; the under water tag and early puberty kissing games with boys at the end of the year,  on the cusp between primary and high school. I vividly recall my first foamy (surfboard); body-surfing at wild beaches south of Warnbro, in Rockingham; the hot tarmac underfoot as we roamed to watery places; mirthful sprinkler play before the days of water restrictions, and being allowed to fall asleep in my bikini, night after night, only to wake up and do it all over again the next day.

As a student of Anthropology at university, I was drawn to mythology in a safe, academicway. It was only later, after much letting go and re-invention, that the archetypal motifs of myth started to resonate deeply, and later still that I became a songwriter with folk leanings and wove them into my musical storytelling. This included a five-year stint directing a choir called Ocean, formed in 1998, The International year of the Ocean, during which time I also wrote and a performed a lot of ocean-inspired a cappella songs.
 
 

 
'Ocean' Choir logo by artist and choir member Paul Rubie


One of my favourite myths-retold-from-a-woman's-perspective-in-modern-times is Clarissa Pinkola Estes' story "Sealskin, Soulskin", from her best-selling book Women Who Run with the Wolves. This, along with a TS Elliot poem (from The Love Songs of J. Alfred Prufrock:" I have heard the mermaids singing each to each, I do not think they will sing to me...") and a recent trip to Thailand, have all given rise to songs about these most mysterious and elusive of sea creatures.


 
The Legend of Naka & Marisa, from Southern Thailand
 
If there's one thing the rise of a particularly destructive masculine political and social milieu does, it is to activate my Inner Mermaid. Somehow, the mermaid is a link between the unfathomable feminine realms, offering a wisdom that mediates and moderates the dogged 'masculine' desire to control life on the planet out of its very existence.
 
A recent decision which perhaps epitomizes the resurgence of this backlash against the gradual reclaiming of some territory by The Feminine in recent times, is the current situation facing sharks in Western Australia. I would like to think the many macho mutterings, warblings, rantings, tantrumings and Destructo Man antics of the incumbent administration are the death throws of The Old Paradigm. Whatever the case, they have thoroughly flushed Marina out of any of her hiding places, the sea caves in which she has taken refuge, and now she is out and proudly basking on the beach.
 
Having decided I am something of a terrestrial misfit, a mermaid lacking an actual tail, I remedied the situation by getting myself one. Let it never be said that mermaids are luddites: indeed this one can surf her way ably around the internet. And so it was that, in the vast ocean of Cyberspace, I serendipitously found my missing body part: a flipper-like, eco-friendly aquamarine--and-gold coloured monofin made from recycled rubber, in a size 7.
 
 
 
 
Kazzie Mahina, inventor and manufacturer of the Mahina Merfin, is living the dream of embodying the mermaid archetype as professional mermaid. I'm blown away by the story of how she worked on her free-diving, and how long she can consequently stay under water! But beyond the carnevalesque spectacle, the freak-show novelty value, Mahina's vocation touches on something significant, with which I couldn't agree more:
 
"Realising how potent the mermaid was as a metaphor for the connection between humans and the natural world, Mahina began to explore ways she could use her talents and her fins for environmental conservation. She felt education was the key, and what better way to inspire future generations than to create tails, with tales. "           
 
 

 
                         Mahina, professional mermaid and manufacturer of the Mahina Merfin
 
Apart from having my 7 year old son and my dog as witness on one occasion, my mermaiding expeditions so far have been furtive and solitary, so I have no photos yet. Perhaps I could swim with one of those waterproof cameras such as surfers use, to take mermaiding selfies?!
 
What I have discovered, despite a few concerns about anatomical incorrectness, is that having  a mermaid tail, although it requires some modification to the way I move in the water, in no way deprives me of fully functional genitalia. I have to give up any ideas of doing the Aussie Crawl, since there is no independence of leg movement such as one experiences when wearing flippers, however a frog kick can still be achieved while swimming face down, albeit with my feet connected. Backstroke makes for a good tummy and thigh workout and offers improved propulsion, as does general underwater swimming and body-surfing. I am learning to refine my underwater movements. After the long, slow, languid, undulations my 'tail' makes strengthen my empathy with whales and dolphins.  I feel a bit naked, quite the amputee, once I have taken it off!
 
The most useful achievement though is the smiles and other quizzical expressions it brings to the faces of other beach goers, when they realize I am wearing or carrying a mermaid tail. Perhaps we can bring about a quiet revolution, we mermaids? Slipping into the water in our splendid fins, proudly and worldlessly declaring the imminent arrival of a world in which the watery realms of depth, imagination, nature, feeling and wisdom prevail over clumsy, tired, terrestrial gallumphings that no longer serve us and the planet, other than as a reminder of how NOT to go about it.